In the early stage of business, there were times that our company produced almost 30,000 pieces of guitars per month. Since then they have built quality archtop and acoustic guitars for world-renowned top brands such as Gretsch of Fender, Epiphone of Gibson, Alvarez of St.Louis Music and many others with our high standards of quality. HISTORY -Peerless guitars was established in 1970.
#Peerless guitars archtops full#
Comes with original hard case full PEERLESS and Guitars 'n Jazz WARRANTY. And Bob DeVos (right) is playing the Cremona Custom 16" through a Hendriksen Convertible - one of the best Solid state amps with that tube like sound. Lenny (left) is playing the 17" Cremona through a Rivera Jazz Suprema sold exclusively at Guitars 'n Jazz. The 24.6" scale makes fingering those touch jazz chords easy! All Gold Hardware and a high gloss Natural Blonde finish.Ĭomes standard with a volume control click here to hear Bob DeVos and Lenny Argese playing the Peerless Cremona on. Maple neck, 22 frets 1.69 " at bone nut and 2.25" at last fret. Please call Lou for other Peerless models that are not yet listed on our website 90. The closest thing to the tone of the Peerless Imperial -amplified and acoustically - is the sound of a really good Heritage Golden Eagle, which costs over twice as much.Ĭlickor paste these links to hear Matt Otten Playing the Monarch on * Mother of pearl fretboard inlays and bone nut.Īcoustically the Peerless also has great clarity and sustain- and is full and warm and has more complexity of tone. It gives that clear crisp punchy archtop tone and bite at any volume, whether played through a tube or solid state amplifier. It has one custom floating mini humbucker that produces over 90% the amplification of a full routed in humbucker. The IMPERIAL is the top 17-inch by 3-inch Acoustic-Electric Peerless Archtop and features carved spruce top and carved maple back and ebony fretboard, bridge, pickguard, and tailpiece.
Peerless guitars deliver amplified tone and performance equivalent to guitars costing 2 to 3 times more! Other guitars may look the same, but once you play a Peerless you will immediately hear the difference and be amazed at the affordability of these fine guitars! Interest declined in the 1970s and 1980s, as many guitarists switched to solid body guitars, but archtops became popular again in the 1990s, as luthiers made innovations to the design, while keeping them attractive to collectors.NEW PEERLESS IMPERIAL Archtop - all solid woods with floating mini humbucker pickup-"The Best performance guitars on the Planet", distributed exclusively in the USA and Canada by Guitars 'n Jazz. These early electric archtop guitars became popular with country and jazz acts, and helped to lay the groundwork for what became rock 'n' roll. In the 1930s, body sizes grew from 15 to 18 inches, and the acoustic archtop guitar was finally loud enough to become a solo instrument.Įlectric archtops became common in the late 1940s and early 1950s, thanks to amplifiers becoming louder and more powerful. Archtops boomed in popularity, as country, jazz and bluegrass acts adopted the guitar as their own. Thankfully, jazz musicians proved the guitar was still a viable instrument, and many chose archtops as their guitar of choice. The first redesign, the Gibson L5, was initially a flop, but has remained in production and is highly revered by archtop guitar fans.īy the end of World War I, banjos and mandolins were more in fashion than guitars.
The guitars had an oval sound hole instead of the famous "f" hole of later models, which became widespread in 1922, when Lloyd Loar was hired by the Gibson Company to redesign its instruments. The early arch tops were made with cello-like bridges and tailpieces, and the neck had to form a certain angle with the soundbox. The method was expensive, but continues today in many arch top models. Gibson's mandolin differed from traditional versions of the instrument in that it had an arched top and back, similar to the look of a violin, and didn't have many of the normal internal features, like blocks and bridges, because he believed they took a great bit away from the tone of the instrument. Gibson believed unstressed wood had the superior vibration abilities, and in 1902, he formed the Gibson-Mandolin Guitar Company. Archtop guitars date back to the 19th Century, when Orville Gibson shaped the guitar's sides and tops from blocks of wood.